Timeline emerges from the reiteration of the portrait of a single space, where the turbulence of the human condition stitches its own temporality. Each scene is a concatenation of presents that overlap and shift, revealing a continuous flow that transforms bodies into a weave of instants. Within these variations, dispersed gestures hint at a subtext that sustains the site’s deeper narrative.

Through captures made at intervals, I compose scenarios in which life condenses into a single plane, collapsing past, present, and future into one visual organism. Crowds function as a fabric in perpetual reorganization, where each individual alters the collective form and, at the same time, disappears within it.

In Timeline, time becomes. It does not advance or arrange itself; it is rewritten. Contemporary physics reminds us that temporal linearity is little more than a perceptual convention, and the series operates from that intuition. Each image renews and buries the previous one, like a river that is never the same, proposing the human being as part of a larger, constantly transforming fabric—where narrative is sustained not by sequence, but by the shared vibration that binds us.